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<title>Jean Luc Godard - Filmai online, naujausi nemokami online filmai internete</title>
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<description>Jean Luc Godard - Filmai online, naujausi nemokami online filmai internete</description>
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<title>Notre musique / Our Music (2004)</title>
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<description><![CDATA[Divided into three "kingdoms" -- Enfer (Hell), Purgatoire (Purgatory) and Paradis (Paradise) -- Notre Musique is an indictment of modern times.]]></description>
<category><![CDATA[Dramos, Istoriniai, Jean Luc Godard]]></category>
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<pubDate>Thu, 01 Jan 1970 02:00:00 +0200</pubDate>
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<title>The Old Place (2000)</title>
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<description><![CDATA[Jean-Luc Godard, Anne-Marie Miéville documentary film.]]></description>
<category><![CDATA[Jean Luc Godard]]></category>
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<pubDate>Thu, 01 Jan 1970 02:00:00 +0200</pubDate>
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<title>Nouvelle vague / New Wave (1990)</title>
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<description><![CDATA[Nouvelle Vague marks the beginning of a period in Jean-Luc Godard's career in which he made films that looked back on his previous work. In these retrospective films, Godard asked himself whether it is possible to continue as a film director under the conditions imposed by international commercial cinema. Appropriately enough, Nouvelle Vague concerns the return of a man (Roger Lennox / Richard Lennox, played by Alain Delon, superstar of 60s and 70s international cinema) who may or may not have returned from the dead. The film's narrative is extremely disjointed and might be better understood as an essay on the idea of returning. The theme of a return from the dead gives Godard the opportunity to come back to the religious imagery and theological considerations that interested him from 1983's Hail Mary. The film's dialogue is a patchwork of unattributed quotations from works of literature, philosophy, and economics, a technique that Godard adopted in most of his films after this one. Even if the film's "story" is not easy to understand, the beauty of its images and sounds, along with the sublime rhythms of the editing, may be enough to ravish some audiences. ~ Louis Schwartz, Rovi]]></description>
<category><![CDATA[Dramos, Jean Luc Godard]]></category>
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<title>Soigne ta droite / Keep Your Right Up (1987)</title>
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<description><![CDATA[Jean-Luc Godard wrote, directed, and starred in this offbeat comedy. He appears as a bumbling cinematographer who drops film cannisters as he rushes to a screening, and he and others board a plane helmed by a pilot who is reading a self-help book about suicide. A philosophical narration accompanies scenes of recurring imagery. A man dancing with a woman, the vapor trail of a jet against the sky, and a dead man with a huge knife in his belly are used along with a glass door being slammed in a little girl’s face. —allmovie guide]]></description>
<category><![CDATA[Komedijos, Dramos, Fantastiniai, Jean Luc Godard]]></category>
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<pubDate>Thu, 01 Jan 1970 02:00:00 +0200</pubDate>
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<title>Passion (1982)</title>
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<description><![CDATA[On a movie set, in a factory, and at a hotel, Godard explores the nature of work, love and film making. While Solidarity takes on the Polish government, a Polish film director, Jerzy, is stuck in France making a film for TV. He's over budget and uninspired; the film, called "Passion," seems static and bloodless. Hanna owns the hotel where the film crew stays. She lives with Michel, who runs a factory where he's fired Isabelle, a floor worker. Hanna and Isabelle are drawn to Jerzy, hotel maids quit to be movie extras, people ask Jerzy where the story is in his film, women disrobe, extras grope each other off camera, and Jerzy wonders why there must always be a story.]]></description>
<category><![CDATA[Komedijos, Dramos, Jean Luc Godard]]></category>
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<title>Scénario du film 'Passion' (1982)</title>
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<description><![CDATA[Jean-Luc Godard documetary about film  'Passion' (1982).]]></description>
<category><![CDATA[Jean Luc Godard, Dokumentika]]></category>
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<pubDate>Thu, 01 Jan 1970 02:00:00 +0200</pubDate>
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<title>Sauve qui peut / Slow Motion (1980)</title>
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<description><![CDATA[An examination of sexual relationships, in which three protagonists interact in different combinations.]]></description>
<category><![CDATA[Dramos, Jean Luc Godard]]></category>
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<pubDate>Thu, 01 Jan 1970 02:00:00 +0200</pubDate>
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<title>Numéro deux / Number Two (1975)</title>
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<description><![CDATA[An analysis of the power relations in an ordinary family.]]></description>
<category><![CDATA[Dramos, Jean Luc Godard]]></category>
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<pubDate>Thu, 01 Jan 1970 02:00:00 +0200</pubDate>
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<title>Week End (1967)</title>
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<description><![CDATA[A supposedly idyllic weekend trip to the countryside turns into a never-ending nightmare of traffic jams, revolution, cannibalism and murder as French bourgeois society starts to collapse under the weight of its own consumer preoccupations]]></description>
<category><![CDATA[Komedijos, Dramos, Jean Luc Godard]]></category>
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<pubDate>Thu, 01 Jan 1970 02:00:00 +0200</pubDate>
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<title>La chinoise (1967)</title>
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<description><![CDATA[A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.]]></description>
<category><![CDATA[Komedijos, Dramos, Jean Luc Godard]]></category>
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